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Showing posts with label ********. Show all posts

Madeleine Peyroux [2009] Bare Bones

[01] Instead
[02] Bare Bones
[03] Damn The Circumstances
[04] River Of Tears
[05] You Can't Do Me
[06] Love And Treachery
[07] Our Lady Of Pigalle
[08] Homeless Happiness
[09] To Love You All Over Again
[10] I Must Be Saved
[11] Somethin' Grand



amg: Madeleine Peyroux's fourth album isn't the normal mix of standards (contemporary or traditional) with a few songs of her own composing; each of the 11 tracks is a new song written by Peyroux, usually in tandem with producer Larry Klein or a guest. Still, she appears in her usual relaxed setting, with a small group perfectly poised to translate her languorous vocals into perfect accompaniment — organist Larry Goldings, pianist Jim Beard, drummer Vinnie Colaiuta, plus producer Klein on bass, Dean Parks on guitar, and Carla Kihlstedt on violin. Fans of vocal jazz may be disappointed to see that all the songs are new ones — many a great conversation could consist solely of the standards she should perform — but they may regret the disappointment. Peyroux is not only a great interpreter of songs, she also knows how to write in what might be called the old-fashioned way, the type of song with a universal, direct, emotional power that became a rarity during the late 20th century. Also, the help she gets from her co-writers — Walter Becker of Steely Dan, Klein, and friend Julian Coryell — is priceless. Becker delivers a pair of special gems, including the title track and a song called "You Can't Do Me" that delivers the priceless cutting wit he perfected with Steely Dan (a sample: "You know I get so blue and I go/Down like a deep sea diver, out like a Coltrane tenor man.../Blewed like a Mississippi sharecropper, screwed like a high-school cheerleader"). Granted, Peyroux faces an uphill climb by delivering new songs in the same musical context that most listeners hear standards; after all, comparisons to the half-century of American popular song aren't fair, but they certainly come easy. Still, Bare Bones is a remarkable work from one of the best artists in vocal jazz.
(amg 8/10)

Magnum [1996] The Last Dance [Live]

[01] Intro
[02] Changes
[03] Back To Earth
[04] Just Like An Arrow
[05] Love Is A Stranger
[06] Les Morts Dansant
[07] Two Hearts
[08] Rock Heavy
[09] How Far Jerusalem
[10] The Tall Ships
[11] Wild Swan
[12] Start Talking Love
[13] Rocking Chair
[14] Vigilante
[15] Kingdom Of Madness
[16] Drum Solo (End To End)
[17] Tell Tale Eyes
[18] The Last Dance
[19] One Sacred Hour



cduniverse: A superlative double disc issue from the popular prog rock group; includes "Changes" and "Back To Earth." 1996, German import.
(cduniverse 8/10)

Magnum [1978] Kingdom Of Madness

[01] In The Beginning
[02] Baby Rock Me
[03] Universe
[04] Kingdom Of Madness
[05] All That Is Real
[06] The Bringer
[07] Invasion
[08] Lords Of Chaos
[09] All Come Together



amg: The debut from this Birmingham, England band featured a flute-laced progressive rock sound similar to that of Jethro Tull. (The band's sound would later become more mainstream.) The songwriting ranges from imaginative, mythical tales on "The Beginning" and the title song, to deeply philosophical tracks like "Universe" and "All That Is Right," to downright senseless on the track "Baby Rock Me," which is perhaps the worst song the band has ever recorded. Despite this one track, it is a very good album, especially for a band's first effort.
(amg 8/10)